improve Tag

social-learning

“Give a person a fish, and he/she will eat for a day. Teach a person to fish and he/she will be satisfied for a lifetime.”

In my last blog, Igniting the Spark, I wrote about my goals for the year – empowering students to take responsibility for their own learning. Since then, I have experienced an amazing paradigm shift and as a result, am truly enjoying my teaching. I have always enjoyed teaching, but am easily frustrated when students arrive at lessons unprepared or “check out” in the lesson! The shift this year has been a conscious effort to give students the tools for independent learning, talking less and demonstrating more, and holding them accountable for each week’s assignments. I am feeling much more relaxed and students are working a lot harder, with less stress on my part. I have focused on three main areas:

quitterYou can pick out the family within a few minutes of conversation — the kind who tells you they’re looking to “give piano/violin/dance/etc. a try”. They don’t give the impression of being overly-committed, and within a few months — when repertoire starts to become more challenging or when the exciting “newness” wears off, the student lose interests and asks to quit, which his parents are all to ready to let him do. You cringe when this happens, thinking of the spot he has taken up while students on your wait list have likely found other teachers in the meantime.

Spark

The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires. – William Arthur Ward

As summer draws to a close, I reflect on my studio goals for the coming year. September always provides an opportunity to begin anew! This year, I will strive to empower students to be accountable for their own learning. As the above quote states, the most effective teaching is that which inspires the learner. I would like to inspire my students to learn, not for me or for their parents, but for themselves. A tall order. For the students that already have a passion for music, this is easy. My job is simply to keep that flame glowing by assigning appropriate repertoire and challenges. For others, however, it can be difficult to ignite that spark.

bloggityLast month I wrote about how I use my completely non-professional equipment (as in iPhone) to record my students playing and allow them to hear mistakes, or record myself playing a passage they struggle with so they have a sample for home practice. I recently decided to use recording technology to record a few lessons and evaluate my teaching abilities.

I recorded myself teaching when I was introducing a new piece to a student, and then recorded the middle stage of the piece, where it was coming along nicely but we were working out a lot of rhythm kinks and adding layers and such. Besides being an awkward viewing experience (does anyone really enjoy seeing themselves on camera?), it was actually beneficial. I was able to pick up on little things I did well in the lesson and watch how it “clicked” with the student, and I was able to see the moments where I was losing the student’s interest. I learned from watching myself during the first recording that I have a tendency to talk and explain how I want something to sound. Certainly explaining and talking is a part of lessons, but seeing myself in action caused me to realize that I need to keep the student playing or listening to keep him engaged. I now have added awareness of this tendency and work hard to let the majority of lessons be about the student’s playing and putting into action the things we talk about.

pianopracticeIn my years of experience as a piano teacher, I can honestly say that the most challenging part of the recital isn’t the recital itself — it’s the preparation for it. Getting students to practice efficiently and well in preparation for a recital can seriously do me in. Here’s a few things I include as part of my students’ preparation for an upcoming performance:

-Technique: I try to include technique exercises that will enhance their recital piece. If a student is learning a sonatina filled with scales and trills, her warm-up exercises each week will emphasize building strength to play these scales and trills quickly, accurately, clearly and confidently.